A gigantic 10-m tall spider at 66 Plaza sure to catch the eyes of passersby. It symbolizes a place where people from around the world gather and where new information is spun.

LOUISE BOURGEOIS

2002 (1999)/Bronze, stainless steel, marble.

9.27 x 8.91 x 10.23 (h) m

An enormous rose that significantly exceeds the height of a person. This is planted in 66 Plaza as a symbol of love and beauty at Roppongi Hills.

ISA GENZKEN

2003 (1993)/Steel, aluminum, lacquer.

8.0 (h) m

Hollywood Beauty Group Collection

Digital numbers floating on a glass screen call to mind people’s imagination.

MIYAJIMA TATSUO

2003/Neon tubing, glass, IC, aluminum, electric wires, etc.

One unit of characters: 3.2 x 2.2 m x 6 characters.

Commissioned by TV Asahi Directed by MAKI AND ASSOCIATES

This work was created in the entrance hall of TV Asahi, a lively composition consisting mainly of colorful circles.

SOL LEWITT

2003/Acrylic.

1 F: 2.7 x 13.4 m, 2 F: 3.0 x 14.8 m

Commissioned by TV Asahi

Child robots appear here and there in Sakurazaka Park. The eyes and chests of the 44 robots that make up the tower are illuminated at night.

CHOI JEONG HWA

2003/FRP, stainless steel, optical fiber.

1.0 * 1.0 * 12.0 (h) m

A work derived from Chinese folklore. A three-dimensional sculpture combining a stone mountain and seascape presented to seem naturalistic.

CAI GUO-QIANG

2003/Stone, water.

10.1 x 26.8 x 4.0 (h) m

Using simple rustic materials, this work exudes a variety of expressions.

MARTIN PURYEAR

2003/Black granite (Shanxi black granite).

3.7 x 3.0 x 5.5 (h) m

▪ This work, commissioned to mark the 10th anniversary of Roppongi Hills and the Mori Art Museum, is poised over the Mohri Garden pond, which is so rich in history.
▪ This installation is a string of gold-leaf beads that describe the arc of a heart. As one walks around the Mohri Pond, the sculpture gradually takes on the appearance of a Möbius strip.
▪ What I want viewers to experience is nature in Japan as it changes through the seasons and the pageant of history embodied in Mohri Garden, a history that stretches all the way back to the Edo period. (From the artist)

JEAN-MICHEL OTHONIEL

2013/Bronze, gold leaf, stainless steel.

330 x 360 x 169 (h) cm

Courtesy: Galerie Perrotin, Hong Kong and Paris

This is a bench that carries the title of a jazz standard. The design is based on the idea of removing a certain kind of weight from things.

UCHIDA SHIGERU

2003/Stainless steel, ceramic paint.

0.45 x 6.0 x 0.95 (h) m

Located between the sidewalk and street, installed as a boundary between design and architecture.

ANDREA BRANZI

2003/Concrete, ceramic paint.

0.5 x 6.0 x 3.0 (h) m

Ivy that grows up from the ground curls intertwined in the gaps between a bundle of endless loops.

RON ARAD

Ron Arad, 2003/Main part: bronze pipe. Legs: steel pipe, bronze sheet cladding.

1.48 x 6.04 x 2.71 (h) m

This space is designed to provide a private space to shield people from the many passersby and vehicles on the street.

ETTORE SOTTSASS

2003年／壁面：特注テラゾー、床・柵：御影石（カルドーゾ）、ベンチ：大理石（ビアンコカラーラ）

2.3 x 7.0 x 2.1 (h) m

The outline of a piece of glass gradually disappears when the glass is placed in water. Similarly, this chair appears to completely disappear on a rainy day

YOSHIOKA TOKUJIN

2003/Main part: glass. Chair legs: mirror-finished stainless steel. Floor: burner-finished granite.

Chair: 0.75 x 0.98 x 0.99 (h) x 0.41 (sh), lump: 0.5 x 0. 98 x 0.55 (h) m,
Floor: 1.68 x 5.95 m

The design concept is a bench. It is intended to balance with the environment without provoking curiosity.

JASPER MORRISON

2003/Legs and arms: stainless steel. Back and seat: Japanese cypress.

0.44 x 8.58 x 0.75 (h) m

This is a large surface of water in which the urban "forest" floats. Above this are images of spreading "ripples."

TOYO ITO

2003/Seat: Clad steel (machined), non-directionally buffed, ceramic paint. Legs: concrete.

0.9 x 3.8 x 0.43 (h) m

These benches have colorful stripes that suddenly appear at the feet of passersby, and are designed for people who walk in different ways, whose paces vary from hustling along to dawdling at a leisurely pace.

JOHANNA GRAWUNDER

2007/FRP, rubber, artificial turf.

Extending broadly like the branches of a tree, this installation is designed to create a place where families can spend some relaxing time shielded from the sun.

PATRICIA URQUIOLA

2007/Titanium, stainless steel, rubber.

Combining elements of tables and chairs, the design of Day-Tripper is based on research on the kinds of positions people assume during the course of the day, including leaning, sitting, crouching, and so on. Emphasizing a concentration of European sensibilities and culture, this pink benches covered with printed white flowers.

DROOG DESIGN/Jurgen Bey with Christian Oppewal and Silvin v. d. Velden

2003/Polyurethane formed FRP, polyester paint, silkscreen print.